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O djelatniku

prof. dr. sc. Simon John Ryle

Radno mjesto: redoviti profesor

Lokacija:
207
Konzultacije:

Utorak 14.45-15.45

Telefon:
021545559

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Životopis

Simon Ryle je profesor književnosti na Odsjeku za engleski jezik Filozofskog fakulteta u Splitu. Predaje poeziju, dramu, film, kreativno pisanje i književnu teoriju na tečajevima o ranom modernom dobu, poetskom filmu, ekokritici i književnom podzemlju. Godine 2024. bio je Fulbrightov dugoročni istraživački stipendist na Graduate Centeru, CUNY. Doktorirao je na Sveučilištu u Cambridgeu pod mentorstvom Stephena Heatha. Njegove knjige su: Shakespeare, Cinema and Desire: Adaptation and Other Futures of Shakespeare's Language (2014.) i Xenoflesh: Vegan Poetics and Capitalocene Meat (2026.). Objavio je brojne akademske eseje i uredio četiri zbirke eseja, uključujući izdanje časopisa The Journal for Cultural Research o Deleuzeu i Shakespeareu. Njegovo istraživanje istražuje odnos poetike, etike i utjelovljenja, posebno u vezi s pitanjima želje, alteriteta, komodifikacije života i tehnologija rata u književnosti, filmu i teoriji.

CroRIS

Xenoflesh: Vegan Poetics and Capitalocene Meat
Ryle, Simon
punctum books, (2026) , doi: 10.53288/0474.1.00
Flesh and negation: Vegan aesthetics and sympathetic action in David Lynch's Eraserhead
Ryle, Simon
Animality and Horror Cinema,Palgrave Macmillan, (2025) str. 233-254
Kino tijelo: patnja i nježnost u postjugoslavenskoj kinematografiji
Ryle, Simon
Hrvatski filmski ljetopis, 121 (2025) str. 96-101
“Crni vrt”: Ekopoetika kapitalocenskog masovnog izumiranja u poeziji W.S. Merwina
Ryle, Simon
Studia ethnologica Croatica, 36 (2024) str. 171-195, doi: 10.17234/SEC.36.9
Silk Roads & Electronic Superhighways: A Reader in Cross-cultural Studies from Korea to Croatia
Filozofski fakultet u Splitu, (2024)
The Uncanny Poetics of Capitalocene Meat: Carnologistics and Octavia Butler’s ‘Bloodchild’
Ryle, Simon John
Anthropos : časopis za psihologijo in filozofijo ter za sodelovanje humanističnih ved (Ljubljana), 55 (2023) str. 215-236, doi: 10.26493/2630-4082.55.215-236
Encounters with xenoflesh
Ryle, Simon
Umjetnost riječi, 67 (2023) str. 105-134, doi: 10.22210/ur.2023.067.2/01
Desiring bodies, divine violence and the typographic interface in Champ Fleury and Venus and Adonis
Ryle, Simon
The Routledge Handbook of Shakespeare and Interface,Routledge, (2022) str. 153-169, doi: 10.4324/9780367821722-14
Xerodrome Lube - Cyclonic Geopoetics and Petropolytical War Machines
Ryle, Simon
Oil Fictions: World Literature and Our Contemporary Petrosphere,Penn State Press, (2021) str. 170-189
Introduction: Wavescapes in the Anthropocene
Ryle, Simon ; Buljubašić, Eni
Cross-Cultural Studies Review,Cross cultural studies review, 2 (2020) str. 20-26
Xenoflesh: A Zoēpoetics of Meat
Ryle, Simon
Boundary 2-an international journal of literature and culture, 47 (2020) str. 63-99, doi: 10.1215/01903659-8677839
Minor Shakespeares
Ryle, Simon
Journal for Cultural Research,Journal for cultural research, 23 (2019) str. 1-14, doi: 10.1080/14797585.2019.1590917
Fractals in Assassin’s creed
Ryle, Simon ; Vestić, Victoria
Zbornik radova Filozofskog fakulteta u Splitu, 12 (2019) str. 3-22
FRACTALS IN 'ASSASSIN'S CREED
Vestić, Victoria; Ryle, Simon
Zbornik radova Filozofskog fakulteta u Splitu, 12 (2019) (2019) str. 3-22
Shakespeare’s e-a-r
Ryle, Simon
Cahiers elisabethains, 100 (2019) str. 24-43, doi: 10.1177/0184767819863812
Journal for Cultural Research, Volume 23, Issue 1 (2019): Minor Shakespeares
Routledge, (2019)
Words and Images, a special issue of Umjetnost riječi
Hrvatsko filološko društvo, (2019)
Introduction: words and images
Willems, Brian Daniel ; Ryle, Simon
Umjetnost riječi : časopis za znanost o književnosti,Umjetnost riječi, 63 (2019) str. 149-159, doi: 10.22210/ur.2019.063.3_4.01
Poetics of Miasma: Nuclear Waste and Antigone in the Anthropocene
Ryle, Simon
Umjetnost riječi : Časopis za znanost o književnosti,Umjetnost riječi, 62 (2018) str. 17-50
Subversions on Screen
Ryle, Simon
Shakespeare Jahrbuch,Shakespeare-Jahrbuch, 154 (2018) str. 238-242
Desire and Representation
Ryle, Simon
A Handbook of Renaissance Studies,Wiley-Blackwell, (2017) str. 86-100
Shakespeare, Cinema and Desire: Adaptation and Other Futures of Shakespeare's Language
Ryle, Simon
Palgrave Macmillan, (2014) , doi: 10.1057/9781137332066
Moles, spots, stains, and tincts: marks of futurity in Shakespeare and Kurosawa
Ryle, Simon
Textual Practice,Textual practice, 28 (2014) str. 807-832, doi: 10.1080/0950236x.2013.862984
Excavating Loss: Rebirth and New Media in Prospero's Books and The Tempest
Ryle, Simon
Yearbook of Research in English and American Literature 29: Critical and Cultural Transformations: The Tempest, 1611 to the Present.,Narr Francke Attempto, (2013) str. 209-234
Epidemiološke osobine infekcija respiratornim sincicijskim virusom tijekom 2009. i 2010. godine u Zagrebu i Zagrebačkoj županiji
Mlinarić-Galinović, G ; Jović, M ; Knezović, I ; Tešović, G ; Čepin-Bogović ; J ; Ivković- Jureković, I ; Sim, R
Medicina Fluminensis, 48 (2012) str. 79-84
Cambridge Shakespeare Conference – Shakespeare: Sources and Adaptation, Education Faculty and Homerton College, University of Cambridge, 9–11 September 2011
Ryle, Simon
Shakespeare, 8 (2012) str. 102-110, doi: 10.1080/17450918.2012.660281
Prospero's Women, Digital Shakespeare
Ryle, Simon
The First Ten Years of English Studies in Split,Filozofski fakultet Sveučilišta u Splitu, (2011) str. 187-206
Antony and Cleopatra, Mankiewicz and the Sublime Object
Ryle, Simon
Adaptation-The Journal of Literature on Screen Studies, 4 (2011) str. 66-107, doi: 10.1093/adaptation/apq014
Ghosts and mirrors: the gaze in film Hamlets
Ryle, Simon J.
Shakespeare Survey,Cambridge University Press, (2008) str. 116-133, doi: 10.1017/ccol9780521898881.009
'Lest My Brain Turn': Dover Cliff and Locating the Other in King Lear
Ryle, Simon
Langue et altérité dans la culture de la renaissance,Presses Universitaires de Paris Ouest, (2008) str. 59-76
Filming Non-Space: The Vanishing Point and The Face in Brook's King Lear
Ryle, Simon
Literature/Film Quarterly,Literature film quarterly, 35 (2007) str. 140-147
Scatology and Metadrama: The Self-Conscious Stage
Ryle, Simon
Jezik i identiteti : zbornik,Hrvatsko društvo za primijenjenu lingvistiku (HDPL), (2007) str. 549-559
Shakespeare in Croatia: Political Appropriations of Shakespeare
Ryle, Simon
Jezik i mediji - jedan jezik: više svjetova,Hrvatsko društvo za primijenjenu lingvistiku (HDPL), (2006) str. 613-624
The "Lightning Which Doth Cease To Be:" The Human Experience of Time in Romeo And Juliet
Ryle, Simon
Journal of the Wooden O Symposium, 5 (2005) str. 47-65

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